PRIZM 2022 All times EST
JOIN US AS WE CELEBRATE KIMBERLY CAMP’S 40-YEAR PRACTICE AS AN ARTIST AND ADMINISTRATOR. KIMBERLY CAMP WILL BE IN CONVERSATION WITH DR. ANTONIO TILLIS, NOTED LITERARY SCHOLAR AND ART COLLECTOR.
JOIN US AS WE CELEBRATE KIMBERLY CAMP’S 40-YEAR PRACTICE AS AN ARTIST AND ADMINISTRATOR. KIMBERLY CAMP WILL BE IN CONVERSATION WITH DR. ANTONIO TILLIS, NOTED LITERARY SCHOLAR AND ART COLLECTOR.
Prizm & Art Seen 365 visit Miami-based artist Jared McGriff at his studio to learn more about his art-making process.
Prizm & Art Seen 365 visit Miami-based artist Jared McGriff at his studio to learn more about his art-making process.
Prizm & Art Seen 365 visit Miami-based artist Mark Fleuridor at his studio to learn more about his art-making process.
Prizm & Art Seen 365 visit Miami-based artist Mark Fleuridor at his studio to learn more about his art-making process.
Prizm & Art Seen 365 visit Georgia-based artist N.Masani Landfair at her studio to learn more about his art-making process.
Prizm & Art Seen 365 visit Georgia-based artist N.Masani Landfair at her studio to learn more about his art-making process.
Prizm & Art Seen 365 visit Miami-based artist Sofía Córdova at her studio to learn more about his art-making process.
Born in 1985 in Carolina, Puerto Rico, and currently based in Miami, Florida, Sofía Córdova makes work that considers sci-fi as alternative history, dance music’s liberatory potential, the internet, colonial contamination, mystical objects, and extinction and mutation as evolution, within the matrix of class, gender, race, late capitalism, and its technologies.
Prizm & Art Seen 365 visit Miami-based artist Sofía Córdova at her studio to learn more about his art-making process.
Born in 1985 in Carolina, Puerto Rico, and currently based in Miami, Florida, Sofía Córdova makes work that considers sci-fi as alternative history, dance music’s liberatory potential, the internet, colonial contamination, mystical objects, and extinction and mutation as evolution, within the matrix of class, gender, race, late capitalism, and its technologies.
Yanira Collado lives and works, Miami, FL. Collado identifies as a Dominican born in New York. She attended Miami’s New World School of the Arts for high school, studied at The School of the Art Institute of Chicago, and later pursued studies in Early Childhood Education.
Yanira Collado lives and works, Miami, FL. Collado identifies as a Dominican born in New York. She attended Miami’s New World School of the Arts for high school, studied at The School of the Art Institute of Chicago, and later pursued studies in Early Childhood Education.
Morel Doucet (b. 1990) is a Miami-based multidisciplinary artist and arts educator that hails from Haiti. He employs ceramics, illustrations, and prints to examine the realities of climate-gentrification, migration, and displacement within the Black diaspora communities. Through a contemporary reconfiguration of the black experience, his work catalogs a powerful record of environmental decay at the intersection of economic inequity, the commodification of industry, personal labor, and race.
Morel Doucet (b. 1990) is a Miami-based multidisciplinary artist and arts educator that hails from Haiti. He employs ceramics, illustrations, and prints to examine the realities of climate-gentrification, migration, and displacement within the Black diaspora communities. Through a contemporary reconfiguration of the black experience, his work catalogs a powerful record of environmental decay at the intersection of economic inequity, the commodification of industry, personal labor, and race.
Actress, Activist, and Consummate Collector, CCH Pounder, shares her 2020 collecting journey in support of artists in what has been an unpredictable year on many fronts. Enjoy a tour of her new acquisitions and her gallery Corentyne Cottage House
Actress, Activist, and Consummate Collector, CCH Pounder, shares her 2020 collecting journey in support of artists in what has been an unpredictable year on many fronts. Enjoy a tour of her new acquisitions and her gallery Corentyne Cottage House
In 2018, Prizm had the honor of hosting A living Legacy conversation featuring Distinguished University of Maryland Professor Emeritus of Art David C. Driskell in conversation with the David C. Driskell Center’s Executive Director, Professor Curlee R. Holton as part of the “Living Legacy National Speaking Tour”. Their conversation highlighted Driskell’s contributions as an artist, scholar, and cultural historian and the contributions of African American artists to the American art canon. Dr. David C. Driskell was a giant, a mentor to many, and an unwavering ambassador for the arts.
In 2018, Prizm had the honor of hosting A living Legacy conversation featuring Distinguished University of Maryland Professor Emeritus of Art David C. Driskell in conversation with the David C. Driskell Center’s Executive Director, Professor Curlee R. Holton as part of the “Living Legacy National Speaking Tour”. Their conversation highlighted Driskell’s contributions as an artist, scholar, and cultural historian and the contributions of African American artists to the American art canon. Dr. David C. Driskell was a giant, a mentor to many, and an unwavering ambassador for the arts.
In 2017, Nyugen Smith(USA/Trinidad/Haiti) and Marvin Fabien (Dominica/Martinique) presented, Lest We Forget, a multi-sensory performance derived from their on-going dialog related to the impacts of hurricanes and climate change in the Caribbean and the most venerable parts of the United States. Marvin Fabien had a penchant for, through his hypnotic use of sound, conjuring the aesthetics of the popular music culture of the Caribbean whilst simultaneously rendering hair raising Digital Performances that address key issues affecting the Caribbean region. Fabien was easily becoming an indelible force in the continued development of contemporary practice in the Caribbean/Global South. May we continue to remember his work through our continued efforts to amplify Diasporic narratives and perspectives.
In 2017, Nyugen Smith(USA/Trinidad/Haiti) and Marvin Fabien (Dominica/Martinique) presented, Lest We Forget, a multi-sensory performance derived from their on-going dialog related to the impacts of hurricanes and climate change in the Caribbean and the most venerable parts of the United States. Marvin Fabien had a penchant for, through his hypnotic use of sound, conjuring the aesthetics of the popular music culture of the Caribbean whilst simultaneously rendering hair raising Digital Performances that address key issues affecting the Caribbean region. Fabien was easily becoming an indelible force in the continued development of contemporary practice in the Caribbean/Global South. May we continue to remember his work through our continued efforts to amplify Diasporic narratives and perspectives.
$13,000.00
1 in stock
Ajamu Kojo
Black Blood, No.8: In the spirit of Mrs. G.W. Hunt, Beauty Parlor Proprietor
2018
Mischtechnik on linen canvas
48” X 36”
$13,000
